The theater company’s producing artistic director stars in the nearly one-man show just months after collapsing at home.
The touring smash Broadway musical takes its time telling story of Simba’s ascent to the throne.
Synergy 2025 brings together dance-makers and musicians for unusual mashups.
Soul Rep, Circle and Stage West noticed they had all scheduled plays by African-American writers and decided to coordinate.
The choreographer planned “I’m My Brother’s Keeper” for years.
Troupe’s 49th season twists classics in woodsy Fort Worth.
Pair of shows will include his choreography, guest artists and of his troupe.
Dallas choir adds Bruce Wood Dance to commissioned music, projections and visual art.
The Dallas actor gets a chance to lead a show she picked as part of the company’s renewed emphasis on emerging artists.
‘Moving Creatures’ is the latest creation of artistic director Matthew Posey.
Blake Hackler’s ‘Healed’ to be followed by Jenny Ledel’s ‘Your Wife’s Dead Body’ and Parker Gray’s ‘Incarnate.’
No ghosts or mad killers needed in outdoor, pandemic-era play ‘The Grown-Ups.’ People and their social media memes are scary enough.
As Bishop Arts Theatre Center‘s prolific playwright in residence, his latest triumph is a hyperlocal adaptation of Ibsen’s ‘Hedda Gabler.’
Douglas Carter Beane’s hit Broadway musical is a popular parody of the 1980 film flop.
Yet that’s the conceit in Amphibian Stage’s premiere of Gabriel Jason Dean’s play about politically opposed brothers, one an incarcerated white supremacist, the other a “woke” novelist.
Circle Theatre is giving the prolific Lauren Yee’s imaginative play its regional premiere.
‘Madam Queen’ tells story of 1920s Harlem numbers runner and activist Stephanie St. Clair.
Pre-game routine ‘Thunderstruck’ part of night of solos and duets by some of the country’s best classical and contemporary performers
In shipping containers parked outside Winspear Opera House, ‘Séance,’ ‘Coma’ and ‘Flight’ plunge audiences into complete darkness and sophisticated sound.
The autobiographical drama was written by Charlayne Woodard, known for her Tony-nominated performance in “Ain’t Misbehavin’.”
